The dog’s at the window again
barking at nothing,
at sunlight and winged commas,
the full-stopped silence of a plane.
He barks like a typewriter and the world
is a broken paragraph in my head.
What time is it? Where?
America, Egypt, Japan?
No good. Here?
Clock on the wall
hasn’t worked for years,
maybe. Or days. Or maybe
it’s always been eleven to two.
No, don’t fix it.
I prefer its hands still.
This way we live forever.
Read my mind. There are whole hours
during which we don’t speak a word
to each other. Then
occasionally, I hear you exhale,
like you’ve suddenly remembered to breathe.
The fan stutters in a corner.
The room’s dark.
On the windowsill a brand-new lightbulb,
Your small fist of a heart.
What if love
-like anything organic-
Recall early words, sounds
dredged up from a swamp of years.
The bottled firefly of childhood
beating wings against glass.
Biting into a red apple,
its worm splitting in two in your mouth.
You used to sing hymns
and the sight of railways thrilled you.
The space between then and now is irreconcilable.
You would have never pictured this
among the drawings on your mother’s fridge,
among the football-and-grit-your-teeth
dreams of your father.
None of what came later was hinted at.
What would eventually be possible was kept hidden,
squirrelled away in the dark.
So the lamp is empty.
You still have the dead bulb;
it rattles when you hold it to your ear
like a dried-up sea.
What if the whole earth is a puzzle-box
you lift with trembling hands
to your face?
whose wooden lips part
to reveal a revolving tongue,
someone’s infancy chewed slowly
between teeth and song?
whose weight must be shouldered?
the seagull is dead
I would like, I believe, to be a hole in a wall
a small hole not a crack not a mouse-hole
or a fist-smashed-through hole
not a keyhole or a knothole
certainly not a peephole
or a pinhole – too subject to use,
I do not care what kind of wall
if plasterboard or concrete
or mortar and brick
they are just as cold as each other
and fulfill the same function
of sheltering and delineation
which are sometimes one and the same
I would like to just be a hole
the negative reverse of being
like a donut hole is the negative reverse
of donuts, except that donut holes
carry too much weight as a concept
for my liking
are an integral part of a whole
I would like to be a hole and nothing but
not wide enough for the finger
of a small scared Flemish child to fit through
I would like something like wind
to whisper on the other side of me
not words at all just wind
and maybe when you listen closer even that’s uncertain
I would like you to put an eye to me
and look straight through
into the unfathomable useless darkness
that exists in the space between one side of a wall
and the other
and see nothing
a blank darkness without feeling
not anger not frustation not sadness
just this blank emptiness which goes on forever
and ever, world without end
inside every wall that’s ever been built
between us both, surrounding us
waiting patiently like locusts in winter
for a crack
That is what I would like you to see.