wine seeps everywhere.
The TV screen flickers
a nonsense Morse code message
at your dry eyes.
The edges of your body are a crime scene,
white and loose.
A man stares past camera. He wears
an expensive shirt. Dark trousers. A tie.
His mouth opens;
his teeth are perfectly white.
You hold a glass. Why not?
Even when you’re on your own
you’ve got to keep up appearances.
Fingers curl stem, trace the fragile loverlike shape.
A droplet of blood or something else as holy
swims at the very bottom. A living being,
dirt, god, something
You should vacuum tomorrow;
it will fill the silence like prayer.
The heart does not break loudly.
You see yourself in the dark between adverts.
A painter’s self-portrait
– I mean, don’t you think van Gogh
cut right to his own essence? –
and a can of beer, a brand new car,
a bottle of scent. You watch
while beautiful people almost have sex
and nobody mentions love.
At eight, you almost drowned in a classmate’s pool.
It was simple, almost appealing,
that slow, thoughtless sinking
into unerotic water.
You were cold.
Somehow you only remember the details:
Laughter from the shallow end.
A dead bee turning idly in your wake.
A few leaves on the surface,
as though to say that nothing,
not even summer,
When you got out,
you sat at the edge, gasping,
and no one came over to see what was wrong,
and nobody asked how you were.
You just stared at your legs in the water,
trying to catch the moment
the light made them disappear
and wondering whose fault this was and why.
Shovel-sounds. The earth
You are lost, a seed
in the furrows.
I watch an earthworm press
into your same ground.
Death touches none
of its several hearts.
It will burrow deep
and later, when it rains,
re-emerge as though it were all the same.
Here. The loose soil
One cannot give without taking
A sad lesson to learn under a sky as blue as this,
but it was not a choice.
I wonder what plants will grow here.
I imagine their roots
stretching deep into loam,
thin thunderbolts, thirsty.
The birds (I picture thrush, robin,
wren) sing until sunset.
No clouds. Slight breeze.
It would have been a lovely day
to go out with you, sit on the grass
and let time idly pass.
It is lonely, breaks your heart,
for the quiet afternoon
to pause a moment in its stillness
as an airplane passes overhead
– the news reported on those
somewhere, elsewhere, distant –
or for a moving-truck’s ponderous engine
hauling several cardboard lives.
A neighbor you will never speak to
becomes engine noise
that will not fade
until, too suddenly to wonder – or
for bells to ring in a village church,
the sound bringing you nearly to tears.
As though each second
were large enough to hurt you,
or for the rumble of a running van
driven by faceless, unfound men
who came while you were out
and took apart your life:
television, handsets, jewellery
the little money you had saved;
who moved couches, dressers, bed
to reveal for your return
the years of grime collected underneath.
A store of bad dreams.
You walked through the emptied house,
smaller than you’d felt in years.
For weeks you slept in fear.
Even now you remember spying
strange tire-tracks on the driveway,
and for a moment not being able to understand
where they led.
I remember my sister singing, her breath
whirpooling the sea of dust
shaken loose from ceiling, walls,
her own voice trembling into silence
as outside, men shouted, screamed;
the fear – somehow – of drowning
in our empty, crumbling home:
I’d read of how all empires
are long ruins. We were not kings
but exiles of nothing, waiting,
the whole world
shrinking to our fearful street,
shut doors, barred windows, silence.
When it was good, we slept
without space in our bodies for nightmares.
One time, when it was safe, I snuck out;
the town was a skeleton
of someone I’d known all my life.
Later, I found a hole
the size of my father’s heart
in a concrete wall.
I placed my palms against it,
imagined I was a child, somewhere else,
holding back the flood.
A drunk priest marries my shadow
to a wall,
nails it there, open-palmed.
They know what they do.
When I return
I will call bodies by names
they do not own.
Be asked to perform miracles.
Cure no one. Bring nothing back.
From my hands you will prove I’m a liar.
The dog’s at the window again
barking at nothing,
at sunlight and winged commas,
the full-stopped silence of a plane.
He barks like a typewriter and the world
is a broken paragraph in my head.
What time is it? Where?
America, Egypt, Japan?
No good. Here?
Clock on the wall
hasn’t worked for years,
maybe. Or days. Or maybe
it’s always been eleven to two.
No, don’t fix it.
I prefer its hands still.
This way we live forever.
Read my mind. There are whole hours
during which we don’t speak a word
to each other. Then
occasionally, I hear you exhale,
like you’ve suddenly remembered to breathe.